Trisha Bhardwaj                                  Works


KalamNari
2025

Activation & Experiences
Design Advocacy and Community
Kalam Nari is a testament to the hands that weave, paint, and persist in Chikballapur, India, redefining their craft as more than labor: it is legacy, resistance, and voice. Through storytelling, design, and advocacy, it amplifies the voices of women artisans, reclaiming their narratives, redefining their value, and challenging the systems that render them invisible. Kalam Nari provides these women with a platform to be seen and heard, restoring their worth in a world that often overlooks their contributions.







The problem

      -  Systemic invisibility: Artisan women’s authorship gets lost in supply chains, reducing skilled work to anonymous output—weakening pricing power and public appreciation.
      -  Narrative gap: Most communications sell motifs, not makers; there’s little storytelling that centers the women, their agency, and their intergenerational knowledge.






- “Craft as voice”: Build a visual narrative system: name, tone, identity, editorial, and social formats: where each asset credits makers and treats the craft as legacy and resistance, not just ornament.

- Platform, not poster: Using story capsules, typography, and photography to create repeatable content that communities can own and extend beyond a single campaign burst.








Why it Works: 

-  Reframes the buyer’s lens from product to provenance, shifting the value story from motif aesthetics to artisan authorship and rights—an uncommon stance in conventional craft marketing.

-  Treats advocacy like brand building: consistent voice, maker‑first credits, and portable templates that can travel across channels and partners for compounding visibility.







KalamNari flips the craft story from motif to maker: a credit‑forward identity and editorial system that lets rural Kalamkari artisans author their own narrative, turning visibility into value over time.






Design moves to mention: Identity/voice: A name that foregrounds “Kalam” (pen/brush tradition) fused with “Nari” (woman), making the makers the identity, force, and the voice.








trisha.bhardwaj@mylasalle.edu.sg

Linkedin

Resume
Trisha is a designer and visual artist whose work is inspired by playful functionality.  Her broad interests include advocacy and design, print publishing, web design, user interface design, and architectural photography.
Her strengths lie in branding identities, photography,  motion graphics, and editorial design; her work exudes vibrant storytelling that generates context and creates clarity through design.